1 00:00:00,570 --> 00:00:06,690 [Glazba] 2 00:00:10,820 --> 00:00:13,820 hvala vam 3 00:00:31,320 --> 00:00:32,860 stranim 4 00:00:32,860 --> 00:00:43,530 [Glazba] 5 00:00:50,480 --> 00:00:53,879 imali smo pristup od ABBA-e ili i 6 00:00:53,879 --> 00:00:56,579 Komunikacije s njima izgradili su a 7 00:00:56,579 --> 00:00:59,039 studio i stvarno su ga htjeli staviti 8 00:00:59,039 --> 00:01:01,260 na karti pa su nam ponudili super 9 00:01:01,260 --> 00:01:03,600 dogovor, a mi zauzvrat odbijamo dogovor demokrata 10 00:01:03,600 --> 00:01:05,339 i otišli smo u Stockholm ono najgore 11 00:01:05,339 --> 00:01:07,260 o tome da smo imali mnogo 12 00:01:07,260 --> 00:01:08,760 išli smo tamo ali smo išli zimi 13 00:01:08,760 --> 00:01:11,100 i iako je sam studio bio 14 00:01:11,100 --> 00:01:14,220 izvanredan u vrijeme odlaska i odlaska 15 00:01:14,220 --> 00:01:15,299 to je vjerojatno bio jedan od naj 16 00:01:15,299 --> 00:01:16,939 iskustva ikada je vjerojatno bilo kao 17 00:01:16,939 --> 00:01:19,979 Napoleonov povratak iz Moskve 18 00:01:19,979 --> 00:01:22,439 Ruska kampanja je pošla po zlu, pa tako i vi 19 00:01:22,439 --> 00:01:25,500 morao popiti nekoliko hitova rakije 20 00:01:25,500 --> 00:01:27,900 prije nego što si uopće mogao sići 21 00:01:27,900 --> 00:01:30,740 izvan hotela je bilo tako hladno, ali da 22 00:01:30,740 --> 00:01:33,360 eksperimenti u pijesku u osnovi i ja 23 00:01:33,360 --> 00:01:35,040 mislim da zvuk bubnja ulazi kroz 24 00:01:35,040 --> 00:01:37,740 na otvorenom je bilo stvarno fenomenalno, uspjeli ste 25 00:01:37,740 --> 00:01:40,259 puno rada na poboljšanju vanjskog 26 00:01:40,259 --> 00:01:42,600 snimljeno u desno na myhometones.com 27 00:01:42,600 --> 00:01:47,600 zar nije bilo osobito loše u to vrijeme 28 00:01:48,299 --> 00:01:50,460 hm vjerojatno je bilo da vjerojatno 29 00:01:50,460 --> 00:01:53,100 Porasla je za glavu, ali ishod je bio takav 30 00:01:53,100 --> 00:01:55,740 izdali smo dobar album naroda 31 00:01:55,740 --> 00:01:57,840 tko je to radio, znaš Roberte 32 00:01:57,840 --> 00:02:00,119 i bio sam na probama prvi ja 33 00:02:00,119 --> 00:02:01,799 i Jesse su uvijek bili tu prije 34 00:02:01,799 --> 00:02:04,799 drugi smo bili gore pa smo ih spustili 35 00:02:04,799 --> 00:02:07,020 zar ne, ali mislim da je uvijek bilo 36 00:02:07,020 --> 00:02:09,420 način benda vrsta tko god 37 00:02:09,420 --> 00:02:11,700 dobiva ovo tko prvi dođe prvi poslužen stvarno 38 00:02:11,700 --> 00:02:13,440 što se tiče članova da 39 00:02:13,440 --> 00:02:15,660 ako Jimmy stigne na mjesto probe 40 00:02:15,660 --> 00:02:18,239 prvo sljedeći album će ići totalno 41 00:02:18,239 --> 00:02:20,599 drugačije 42 00:02:24,200 --> 00:02:27,540 Upravo sam primio isporuku ovog velikog 43 00:02:27,540 --> 00:02:29,280 Yamaha 44 00:02:29,280 --> 00:02:33,180 sintisajzer orgulja, mislim tri 45 00:02:33,180 --> 00:02:36,420 klavijature i full pedalboard i sl 46 00:02:36,420 --> 00:02:37,800 je uvijek način sa mnom sam bio vrlo 47 00:02:37,800 --> 00:02:40,080 inspiriran ovim novim instrumentom pa sam 48 00:02:40,080 --> 00:02:41,879 tek sam počeo pisati stvari i imao sam to 49 00:02:41,879 --> 00:02:43,980 dostavljeno u prostorije za probe i ja 50 00:02:43,980 --> 00:02:47,040 je li bilo rano igranje da i onda 51 00:02:47,040 --> 00:02:48,780 Robert se pojavio sljedeći i do vremena 52 00:02:48,780 --> 00:02:51,959 Na neki način su se pojavili Bonzo i Jimmy 53 00:02:51,959 --> 00:02:53,700 završio album koji nismo napisali 54 00:02:53,700 --> 00:02:55,080 veći dio albuma 55 00:02:55,080 --> 00:02:57,120 je stvarno gotov prije nego što smo ušli u 56 00:02:57,120 --> 00:02:58,319 studio i onda smo otišli u studio 57 00:02:58,319 --> 00:03:01,080 i spustio ga, ali nije se mnogo promijenio 58 00:03:01,080 --> 00:03:03,360 od probe do studija dok 59 00:03:03,360 --> 00:03:05,099 obično pisanje um pisanje 60 00:03:05,099 --> 00:03:06,959 proces s Led Zeppelinom je taj an 61 00:03:06,959 --> 00:03:08,700 ideja bi počela s bilo kojim članom 62 00:03:08,700 --> 00:03:10,739 bend možda i tada bi svi 63 00:03:10,739 --> 00:03:12,840 raditi na tome i postao Zeppelin 64 00:03:12,840 --> 00:03:14,390 vlasništvo kao što je bilo 65 00:03:14,390 --> 00:03:28,560 [Glazba] 66 00:03:28,560 --> 00:03:29,490 stranim 67 00:03:29,490 --> 00:03:44,760 [Glazba] 68 00:03:50,360 --> 00:03:53,639 [Glazba] 69 00:04:04,140 --> 00:04:06,920 stranim 70 00:04:06,980 --> 00:04:32,810 [Glazba] 71 00:04:35,550 --> 00:04:47,160 [Glazba] 72 00:04:47,160 --> 00:04:50,000 stranim 73 00:04:51,160 --> 00:04:56,720 [Glazba] 74 00:04:59,970 --> 00:05:11,489 [Glazba] 75 00:05:12,240 --> 00:05:14,090 stranim 76 00:05:14,090 --> 00:05:24,390 [Glazba] 77 00:05:26,500 --> 00:06:02,259 [Glazba] 78 00:06:03,060 --> 00:06:06,060 stranim 79 00:06:09,000 --> 00:06:22,110 [Glazba] 80 00:06:22,110 --> 00:06:25,230 [pljesak] 81 00:06:25,710 --> 00:06:40,199 [Glazba] 82 00:06:40,199 --> 00:06:42,380 stranim 83 00:06:45,600 --> 00:07:05,610 [Glazba] 84 00:07:08,210 --> 00:07:14,809 [Glazba] 85 00:07:20,300 --> 00:07:23,360 hvala vam 86 00:07:34,330 --> 00:07:45,739 [Glazba] 87 00:08:09,380 --> 00:08:11,699 Cara salambra 88 00:08:11,699 --> 00:08:15,240 što je, pretpostavljam, neobičan naslov 89 00:08:15,240 --> 00:08:16,380 stvarno 90 00:08:16,380 --> 00:08:18,419 oštro je kritikovan u britanskom tisku 91 00:08:18,419 --> 00:08:21,060 biti ponovno onaj umorni stari mističan 92 00:08:21,060 --> 00:08:23,460 osjećati, ali ono što jest zapravo je 93 00:08:23,460 --> 00:08:26,220 produženi komad s Ivanom Pavlom koji radi a 94 00:08:26,220 --> 00:08:28,740 puno rada na tome pa ne a 95 00:08:28,740 --> 00:08:30,479 puno posla ali diktiranjem 96 00:08:30,479 --> 00:08:32,580 kretanje stvari na kojoj nije 97 00:08:32,580 --> 00:08:33,899 jedna od onih lijepih malih skrivenih stvari 98 00:08:33,899 --> 00:08:35,760 gdje jednog dana osoba koja je sve 99 00:08:35,760 --> 00:08:38,339 otprilike u redu o moj Bože je li stvarno tako 100 00:08:38,339 --> 00:08:40,620 da znaš da je to dugačak komad i da je 101 00:08:40,620 --> 00:08:42,539 zanimljivo djelo na neki način i to je 102 00:08:42,539 --> 00:08:44,700 jedna od dobrih stvari je to 103 00:08:44,700 --> 00:08:47,100 ne kao Achilles Last Stand koji sam 104 00:08:47,100 --> 00:08:50,040 stvarno volim, ali sadrži nešto od 105 00:08:50,040 --> 00:08:52,800 Veličanstvo koje je bilo u toj pjesmi mislim 106 00:08:52,800 --> 00:08:55,680 Achilles Last Stand je zapravo bio o 107 00:08:55,680 --> 00:08:57,899 putovanja i snove i želje i 108 00:08:57,899 --> 00:08:59,820 pozitivnost dok je ovo kao a 109 00:08:59,820 --> 00:09:01,260 retrospektiva 110 00:09:01,260 --> 00:09:03,779 vremensko razdoblje i nekoliko likova 111 00:09:03,779 --> 00:09:06,540 pa je Carousel Amber jedan od više 112 00:09:06,540 --> 00:09:08,550 duge dijelove koje radimo 113 00:09:08,550 --> 00:09:09,800 [Glazba] 114 00:09:09,800 --> 00:09:13,440 ep je zapravo trodijelna svita A 115 00:09:13,440 --> 00:09:16,200 Trilogija trenutaka poezija u pokretu John 116 00:09:16,200 --> 00:09:18,300 Paul Jones donosi divlju ludnicu 117 00:09:18,300 --> 00:09:20,880 sintisajzer vodi futurističke zvučne krajolike 118 00:09:20,880 --> 00:09:23,279 i pulsirajuće linije temeljene na ritmu a 119 00:09:23,279 --> 00:09:24,899 progresivna suita i filmska 120 00:09:24,899 --> 00:09:26,940 iskustvo za slušatelja unatoč 121 00:09:26,940 --> 00:09:28,620 biti uvelike povezan s ovim 122 00:09:28,620 --> 00:09:30,660 kultna gitara ovo je jedini Studio 123 00:09:30,660 --> 00:09:32,339 pjesma koja uključuje Jimmy's Famous 124 00:09:32,339 --> 00:09:36,240 Gibson Ed s1275 prethodne snimke imao 125 00:09:36,240 --> 00:09:38,519 Jimmy koristi fender električnu 12 žicu 126 00:09:38,519 --> 00:09:40,380 Carissa lambra dala je dvostruki vrat 127 00:09:40,380 --> 00:09:42,600 prostor za gitaru da zasja te duge žice 128 00:09:42,600 --> 00:09:44,580 otvarači su ponovno pregledavali sličnu stranicu 129 00:09:44,580 --> 00:09:47,640 ideja pronađena u Pjesmi ostaje ista 130 00:09:47,640 --> 00:09:50,570 stranim 131 00:09:50,570 --> 00:09:55,760 [Glazba] 132 00:09:55,760 --> 00:09:58,260 Uvod ima a-mol sekvencu 133 00:09:58,260 --> 00:10:00,240 to je zapravo 10 Years Gone In 134 00:10:00,240 --> 00:10:02,660 Obrnuto 135 00:10:03,000 --> 00:10:04,800 postoji osjećaj hitnosti u 136 00:10:04,800 --> 00:10:06,480 vrteći zvuk u ovom broju vrtuljka 137 00:10:06,480 --> 00:10:08,820 što bi moglo objasniti naslov pjesme kao 138 00:10:08,820 --> 00:10:10,800 Britanski glazbenici pjesme nazivaju 139 00:10:10,800 --> 00:10:12,620 brojeve i vole igru riječi 140 00:10:12,620 --> 00:10:15,000 Bonhamov Groove i ispune poboljšavaju Jonesa 141 00:10:15,000 --> 00:10:16,940 zbog rada tipkovnice 142 00:10:16,940 --> 00:10:28,860 [Glazba] 143 00:10:28,860 --> 00:10:31,140 u pogledu sastava njegove sume Led 144 00:10:31,140 --> 00:10:32,940 Zeppelinova priča posljednjih godina i 145 00:10:32,940 --> 00:10:35,040 tri dijela kao simfonija prva 146 00:10:35,040 --> 00:10:37,500 pokret Fanfare za Rockstar muškarce 147 00:10:37,500 --> 00:10:39,660 dodvoravanje i uništavanje Veterana 148 00:10:39,660 --> 00:10:42,300 život potraga za uzbuđenjem fans away 149 00:10:42,300 --> 00:10:45,120 heroji očekivanja Visoka glazba 150 00:10:45,120 --> 00:10:47,160 tema djeluje kao velika najava 151 00:10:47,160 --> 00:10:48,959 slijetanje zrakoplova stan 152 00:10:48,959 --> 00:10:50,880 non-stop kreće po karti Led 153 00:10:50,880 --> 00:10:52,740 Zeppelin traži drugo mjesto za 154 00:10:52,740 --> 00:10:55,380 igrati biljka opisuje šarene i na 155 00:10:55,380 --> 00:10:57,300 isto vrijeme Grim Vibes of the Majestic 156 00:10:57,300 --> 00:11:01,040 Fishbowl mikrokozmos viška 157 00:11:01,040 --> 00:11:03,600 Sisters of the Wayside po svom vremenu 158 00:11:03,600 --> 00:11:05,579 tihi mir način da mjesto unutar 159 00:11:05,579 --> 00:11:07,920 Prsten smirenosti i dalje stoji da se vrati 160 00:11:07,920 --> 00:11:09,959 sekunde puštanja čekaju poziv oni 161 00:11:09,959 --> 00:11:11,820 znam da možda nikada neće doći u vrijeme 162 00:11:11,820 --> 00:11:13,980 lakoća na koju se nijedan uljez nije usudio 163 00:11:13,980 --> 00:11:16,680 ugroziti uzrok uznemiriti trčanje i 164 00:11:16,680 --> 00:11:18,480 uvijek radost i ruke su bile podignute prema 165 00:11:18,480 --> 00:11:20,399 Sunce kao ljubav u dvoranama obilja 166 00:11:20,399 --> 00:11:21,779 pregaziti 167 00:11:21,779 --> 00:11:22,980 drugi stavak 168 00:11:22,980 --> 00:11:36,119 [Glazba] 169 00:11:39,779 --> 00:11:42,060 arpeggio instrumental vodi nas u 170 00:11:42,060 --> 00:11:44,279 drugi dio pjesme umoran rif 171 00:11:44,279 --> 00:11:46,500 vapaj za pomoć ovo je Robert kod sebe 172 00:11:46,500 --> 00:11:48,500 najiskreniji u vezi s incidentima iz 173 00:11:48,500 --> 00:11:51,720 1977. i ono što je postalo neizbježno to je br 174 00:11:51,720 --> 00:11:53,820 slučajnost da je Jimmy zakopao vokale 175 00:11:53,820 --> 00:11:55,860 prilikom miksanja albuma posebno na 176 00:11:55,860 --> 00:11:58,380 pjesma gdje je bila tvoja riječ gdje si 177 00:11:58,380 --> 00:12:00,899 go where was your helping where was your 178 00:12:00,899 --> 00:12:01,800 luk 179 00:12:01,800 --> 00:12:04,860 čini oklop hladan kao što je dan težak bio 180 00:12:04,860 --> 00:12:07,620 the journey dark was the way I hear the 181 00:12:07,620 --> 00:12:10,260 riječ Nisam mogao ostati nisam mogao podnijeti 182 00:12:10,260 --> 00:12:11,740 drugi dan 183 00:12:11,740 --> 00:12:21,129 [Glazba] 184 00:12:24,750 --> 00:12:33,480 [Glazba] 185 00:12:33,480 --> 00:12:36,480 stranim 186 00:12:39,440 --> 00:12:53,580 [Glazba] 187 00:12:53,580 --> 00:12:56,820 [pljesak] 188 00:12:58,800 --> 00:13:03,350 [Glazba] 189 00:13:03,350 --> 00:13:06,450 [pljesak] 190 00:13:06,920 --> 00:13:07,120 [Glazba] 191 00:13:07,120 --> 00:13:09,030 [pljesak] 192 00:13:09,030 --> 00:13:10,950 [Glazba] 193 00:13:10,950 --> 00:13:15,000 [pljesak] 194 00:13:15,000 --> 00:13:16,530 stranim 195 00:13:16,530 --> 00:13:21,450 [pljesak] 196 00:13:21,450 --> 00:13:21,790 [Glazba] 197 00:13:21,790 --> 00:13:22,940 [pljesak] 198 00:13:22,940 --> 00:13:30,900 [Glazba] 199 00:13:30,900 --> 00:13:32,460 [pljesak] 200 00:13:32,460 --> 00:13:49,510 [Glazba] 201 00:13:49,530 --> 00:13:50,630 [pljesak] 202 00:13:50,630 --> 00:13:51,720 [Glazba] 203 00:13:51,720 --> 00:13:53,700 [pljesak] 204 00:13:53,700 --> 00:13:54,770 stranim 205 00:13:54,770 --> 00:14:18,139 [Glazba] 206 00:14:18,139 --> 00:14:20,339 teksture koje predstavljaju današnjicu 207 00:14:20,339 --> 00:14:23,459 Zeppelin Godine 1978. prihvaćajući zvukove 208 00:14:23,459 --> 00:14:26,040 sada na gotovo proročanski način Robert 209 00:14:26,040 --> 00:14:28,320 Plant opisuje svoje posljednje dane s 210 00:14:28,320 --> 00:14:30,240 bend je imao nogu izvan vrata 211 00:14:30,240 --> 00:14:31,980 dok je ispred Zeppelina ulazio kroz 212 00:14:31,980 --> 00:14:33,180 vanjski 213 00:14:33,180 --> 00:14:35,459 dirnut pravodobnim dolaskom roused from 214 00:14:35,459 --> 00:14:37,200 Čuvarov san otpusti stisak 215 00:14:37,200 --> 00:14:39,660 baciti ključ koji se sada drži unutar 216 00:14:39,660 --> 00:14:42,180 znajući odmor sada unutar komad uzeti 217 00:14:42,180 --> 00:14:44,519 od ploda je počelo sjeme 218 00:14:44,519 --> 00:14:46,560 sada su morali ostati držani unutar 219 00:14:46,560 --> 00:14:49,079 znajući odmor sada unutar mira uzeti 220 00:14:49,079 --> 00:14:51,130 off the fruit burgard the seed 221 00:14:51,130 --> 00:15:00,409 [Glazba] 222 00:15:03,779 --> 00:15:06,779 stranim 223 00:15:12,380 --> 00:15:36,370 [Glazba] 224 00:15:36,779 --> 00:15:40,139 uh puzat ću 225 00:15:40,139 --> 00:15:42,180 to nema nikakve veze s Carpet Burnsom 226 00:15:42,180 --> 00:15:44,060 ili bilo što slično 227 00:15:44,060 --> 00:15:46,740 u 60-ima je postojao veliki 228 00:15:46,740 --> 00:15:49,079 vrsta pokreta s Atlantic Recordsom 229 00:15:49,079 --> 00:15:51,740 i puno malog Independent Recorda 230 00:15:51,740 --> 00:15:54,180 tvrtke prva stvar koju Wilson 231 00:15:54,180 --> 00:15:56,940 Pickett je ikada učinio, prekasno je da ti 232 00:15:56,940 --> 00:16:00,420 znam i svi oni veliki spori RMB ali 233 00:16:00,420 --> 00:16:01,550 upravo ulazim u Seoul 234 00:16:01,550 --> 00:16:06,000 [Glazba] 235 00:16:06,000 --> 00:16:09,000 stranim 236 00:16:10,139 --> 00:16:12,540 pa gledaj dobro Mislio sam da želim samo 237 00:16:12,540 --> 00:16:14,040 učini nešto tako malo ali 238 00:16:14,040 --> 00:16:15,120 pomalo 239 00:16:15,120 --> 00:16:18,180 vrsta jezičave previše ne daj bože 240 00:16:18,180 --> 00:16:20,880 da ga treba shvatiti ozbiljno i tako 241 00:16:20,880 --> 00:16:22,199 kao što mislim tekstovi su stvarno 242 00:16:22,199 --> 00:16:24,360 ovozemaljska, stvarno je kao da je ona jabuka 243 00:16:24,360 --> 00:16:26,279 moga oka Vibe znaš ali super je 244 00:16:26,279 --> 00:16:28,260 odlična atmosfera, mislim stvarno dobra 245 00:16:28,260 --> 00:16:29,279 atmosfera i jedino što je 246 00:16:29,279 --> 00:16:31,199 nedostaje odjeljak za rog jer 247 00:16:31,199 --> 00:16:33,240 Jersey nije mogao naučiti svirati rogove 248 00:16:33,240 --> 00:16:35,040 s vremenom znaš 249 00:16:35,040 --> 00:16:37,259 ali super je volim da je stvarno 250 00:16:37,259 --> 00:16:39,550 dobro je vrlo ćudljivo 251 00:16:39,550 --> 00:16:42,630 [Glazba] 252 00:16:44,519 --> 00:16:46,759 stranim 253 00:16:48,630 --> 00:16:52,169 [Glazba] 254 00:16:56,150 --> 00:17:07,650 [Glazba] 255 00:17:11,730 --> 00:17:15,150 [Glazba] 256 00:17:22,520 --> 00:17:25,599 [Glazba] 257 00:17:26,880 --> 00:17:29,450 stranim 258 00:17:29,450 --> 00:17:35,569 [Glazba] 259 00:17:41,700 --> 00:17:50,030 [Glazba] 260 00:17:53,120 --> 00:17:55,620 vrištati kad završni trenutak to kaže 261 00:17:55,620 --> 00:17:57,600 svi su se bendovi izvukli 262 00:17:57,600 --> 00:17:59,460 Očaj u nepoznate prizore novog 263 00:17:59,460 --> 00:18:01,880 desetljeće 264 00:18:03,780 --> 00:18:05,760 odgovarajući koder kao da su osjetili 265 00:18:05,760 --> 00:18:07,860 kraj je bio blizu ili su se možda nadali svom 266 00:18:07,860 --> 00:18:10,880 Bratstvo nikada ne bi umrlo 267 00:18:15,550 --> 00:18:18,859 [Glazba] 268 00:18:29,020 --> 00:18:32,319 [Glazba] 269 00:18:36,600 --> 00:18:38,780 stranim 270 00:18:39,260 --> 00:18:42,419 Nadam se da si dobro, upravo sam snimio 271 00:18:42,419 --> 00:18:44,460 posebnu glazbenu posvetu koju sam želio 272 00:18:44,460 --> 00:18:46,380 podijeliti s vama kako znate 273 00:18:46,380 --> 00:18:48,539 sesije za album su završile 274 00:18:48,539 --> 00:18:51,360 kruži kao bootleg snimka koja 275 00:18:51,360 --> 00:18:53,340 sadržavao je Bonhamove izolirane pjesme za bubnjeve 276 00:18:53,340 --> 00:18:55,020 Dok je većina njegovih utora 277 00:18:55,020 --> 00:18:57,539 prepoznatljiva postoji jedna pjesma koja 278 00:18:57,539 --> 00:19:00,000 ostaje Bez naslova, čini se da je preuzet 279 00:19:00,000 --> 00:19:02,280 od broja baziranog na sintisajzeru, ali ne 280 00:19:02,280 --> 00:19:04,440 zvuči kao bilo što na Final Mixu za 281 00:19:04,440 --> 00:19:06,960 informacije na otvorenom pomoću uvoda i 282 00:19:06,960 --> 00:19:09,299 Main Groove Napisao sam poseban tribute 283 00:19:09,299 --> 00:19:11,940 za bend koji dodaje slojeve gitare 284 00:19:11,940 --> 00:19:15,240 bonzo's bubnjevi inspirirani Jimmyjevim Latterom 285 00:19:15,240 --> 00:19:17,880 dnevni stil ovo je moj pogled na posljednji 286 00:19:17,880 --> 00:19:20,700 pjesma snimljena u polar Studios I laid 287 00:19:20,700 --> 00:19:22,799 prvo niz Bass stazu, a zatim izgrađen 288 00:19:22,799 --> 00:19:24,660 podloga pa svi gitarski slojevi 289 00:19:24,660 --> 00:19:27,120 moglo se snimiti kamerom, znam ovo 290 00:19:27,120 --> 00:19:29,220 učinjeno je prije, ali bez većine 291 00:19:29,220 --> 00:19:31,620 poštovanje za Led Zeppelin nadam se da ti 292 00:19:31,620 --> 00:19:34,380 uživajte u ovom eksperimentu sa slojem gitare kao 293 00:19:34,380 --> 00:19:36,960 uvijek hvala na gledanju molim 294 00:19:36,960 --> 00:19:38,039 pretplatiti se 295 00:19:38,039 --> 00:19:41,220 pratite epizodu 7 i događaje 296 00:19:41,220 --> 00:19:45,299 od 1980 godina očekivanja nade i 297 00:19:45,299 --> 00:19:47,600 tragedija bye bye 298 00:19:47,600 --> 00:19:54,119 [Glazba] 299 00:19:56,490 --> 00:19:59,619 [Glazba] 300 00:20:09,450 --> 00:20:12,829 [Glazba] 301 00:20:19,990 --> 00:20:24,960 [Glazba] 302 00:20:24,960 --> 00:20:27,200 stranim 303 00:20:33,120 --> 00:20:37,750 [Glazba] 304 00:20:43,510 --> 00:20:46,670 [Glazba] 305 00:20:52,680 --> 00:20:54,960 [Glazba] 306 00:20:54,960 --> 00:20:57,960 stranim 307 00:21:16,400 --> 00:21:22,460 [Glazba]